Still Life is a short film that explores the unstable boundary between perception and reality through a fragmented narrative structure. The story follows a character whose experience of the world becomes increasingly shaped by subjective projection, where memory, desire, and imagination begin to overwrite direct perception.

The film unfolds through dislocated temporal sequences and flashbacks, gradually dissolving linear causality. Visual repetition and shifts in perspective construct a space where events cannot be fixed to a single interpretation. Night scenes, created through a “day-for-night” technique, reinforce this ambiguity by producing an artificial sense of realism.

Rather than resolving its narrative tensions, Still Life maintains them, treating perception itself as an unstable and active process through which reality is continuously reconstructed.